Category: Microphones

  • Bowers & Wilkins PX7 S2e Review: Premium ANC Headphones Worth the Price?

    Bowers & Wilkins PX7 S2e Review: Premium ANC Headphones Worth the Price?

    My approach to reviews is somewhat unique. For the past 25 years, I’ve helped manufacturers better understand their competitive and consumer landscapes, often purchasing a group of products to test competitively rather than just reviewing one product in a vacuum. My work process involves creating detailed documentation—ranging from 20 to 50 pages—that objectively covers design, performance, and technology. Additionally, I include competitive sales data, consumer surveys, and other necessary information to offer a solid product strategy for the current and next generation of products. All that is to say I don’t review products the way others typically do, but instead review them in context of competitive product to let you know if it’s a good buy, and when a competitive product might be better. Unfortunately, this thorough analysis is becoming less common among manufacturers, leading to products and software being released prematurely or not properly aligned with consumer needs (Just ask Sonos). But that’s a topic for another article I’m working on. 

    Recently, I saw the Bowers & Wilkins Px7 S2e headphones on sale, so I picked a couple of them up, curious to see how they compare to the older Px7 and PX models I already own. I have a deep familiarity with this product, having led the Px7 S2 redesign project for Bowers & Wilkins after developing a comprehensive strategy that secured the redesign’s approval. However, our California offices were shut down in 2020, shortly before the company was sold to Sound United, so this is my first opportunity to experience the Px7 S2e firsthand, and on my own dime.

    If I was going to buy it anyway, I thought I might as well have some fun and create a review tied to a product giveaway for my new tech channel, FAQnatics. So, today, we’re going deep as we not only dive into the Bowers & Wilkins Px7 S2e headphones but comparing them to other top products in this category from Sony, Bose and Beats. Are these the ideal everyday wireless headphone for those that want the total package! Head turning design, amazing audio, solid ANC, and the best overall value for their dollar? Let’s find out!

    Oh yeah, like I mentioned I just kicked off a giveaway contest June 1st, 2024, where I’ll be giving away a pair of Px7 S2e headphones in Anthrocite Black. So, check out this video when you’re done with the article and get registered to win!

    Fit & Finish
    First up, let’s talk about fit and finish. The Px7 S2e features a familiar design to the OG Flagship PX headphone, with raised endcaps and a premium aluminum finish. It’s a major step up from the Px7, which, sounded great, didn’t quite hit the mark in terms of luxury fit and finish.

    When I got brought into Bowers & Wilkins, a few of us knew right away the headphone design wasn’t going to get it done, and I ended up fighting to get approval on an updated headphone design, the Px7 S2. This new Px7 S2e “evolved” model, that’s what the “e” stands for, offers an updated tuning, and a few other updates to the electronics to make it more consistent with its Px8 big brother.


    Weighing in at 10.8 ounces, the Px7 S2e strikes a solid balance between weight and substance. The tightly woven cloth material exudes luxury and avoids any snagging issues common with cloth earcups. New headband geometry and a reduction of clamp force by .2 lbs. dramatically enhances comfort during extended wear. It sits well, though it does move slightly when you tilt your head too far forward or back, but unless you’re doing some serious head-banging, you shouldn’t have any issues.

     

    Now, let’s look at how that compares to top sales competitors. The Apple AirPods Max are almost 3 oz heavier at 13.6 ounces, providing a premium feel when you first pick them up, but then getting uncomfortable during extended use.

    Now, the original PX was an amazing headphone, the only real issue it had from the start was that it was too heavy for all-day use, and that was at 11.9 oz. The premium materials and required clamp force made it tough to wear for long periods of time, but it’s an understandable mistake because heft and exotic materials are a hallmark of the speaker industry, and critical listening headphones are often designed similarly because they are only worn for 30-90 minutes at a time, and hopefully with a drink in hand to help dull the neck and shoulder pain that can result.

    I like the materials on the Airpods Max, and nothing connects more seamlessly to an iPhone or Macbook than an Apple or Beats headphone. However, a weight of 13.6 oz clearly shows they don’t understand the impact of that much weight on all-day wear. At $550, they should have brought in a team, that understood the assignment. Just like my PX headphones hang on a hook 90% of the time even though they are my favorite design, you are either going to be openly unhappy with a headphone this heavy, or end up with neck and shoulder issues, and probably some headaches. Unfortunately, I’ve spent hundreds of hours testing these and similar weighted products, always with the same results. Although everyone’s tolerances are a bit different, anything above 11 oz. and not properly designed are likely going to end with the same results.

    What about the lighter side of things? The Sony WH-1000XM5 comes in at 8.8 oz, and the Bose Quiet Comfort Ultra weighs about 8.9 oz. Both are significantly lighter than the Px7 S2e, but there are tradeoffs there as well, so let’s spend a minute on the designer’s dilemma.

    Headphone  Bose 

    Quiet Comfort Ultra 

    Sony 

    WH-1000XM5 

    Beats 

    Studio Pro 

    Bowers & Wilkins 

    Px7S2e 

    Apple 

    AirPods Max 

    Weight  8.9 oz  8.9 oz  9.2 oz  10.8 oz  13.6 oz 
    Clamp Force  .8 lbs.  .8 lbs.  1 lbs.  .9 lbs.  1.2 lbs. 


    The Designer’s Dilemma
     

    The reason headphones don’t come off when you lean forward involves clamp force, or how snugly the earcups press against your head. High clamp force can become painful after a while, but it prevents the headphones from slipping and enhances bass response by reducing sound leakage. I mentioned earlier about the change in headband geometry and reduction in clamp force for the Px7 S2e, maintaining a secure fit with less overall pressure. This weight to clamp force ratio strikes a good balance: secure without being overly tight, which is crucial whether you’re commuting, working, or traveling.  

     With previous headphones, I often had to switch from over-ear to in-ear after a few hours, to the point where I often just wear my in-ears to avoid the issue. But with this new design, I found the Px7 S2e comfortable after multiple three-hour sessions, thanks to their improved design, weight distribution and memory foam earcups that kept my ears cool. While it’s heavier than the Sony and Bose models, the additional weight clearly translates to better materials and a more luxurious feel. The Px7 S2e exudes luxury and examination, something that can’t be said about most headphones in its class. But it isn’t just eye-catching, it’s designed to be comfortable, and while we often say not to judge a book by its cover, the sound is exactly what you’d expect based on the outward design.  

     Lighter headphones like the Sony WH-1000XM5 (8.8 oz) and Bose QuietComfort Ultra (8.3 oz) require less clamp force and are therefore more comfortable to wear for long periods, because they don’t have as much weight to shift around. That’s comes at the cost of premium materials used on those heavier headphones being swapped out for basic plastic which don’t look or feel as premium, effectively the designer’s dilemma of weight vs. substance. With headphones priced at $300 or more, I expect a well-engineered design that balances comfort, weight, and a premium look and feel. The first point is where Apple misses the mark, and the last point is where Bose and Sony fall short. 

    While constructed well, their lightweight material choices feel utilitarian, lacking a premium appeal. Even with a few color choices, they look like everything else, the grey/silver midsize SUV of the headphone world. You can’t dispute their popularity, but something worn on your head or around your neck for hours a day deserves to express a bit more luxury and character, especially if it doesn’t cost you more to do so. If you want black, these Anthracite Black headphones don’t attract too much attention from a distance but will have you examining all the finishing touches – because great products should tell a story you can appreciate and want to share.

    That’s not to say Bowers & Wilkins always had it right. The Px7 utilized luxury materials like its carbon composite arm, increasing strength while reducing weight. The problem is it looked like grey plastic; a prime example of expensive innovation lacking perceived value. Now, what does perceived value mean? Like I mentioned these arms were made of a carbon fiber composite, a premium material found in exotic cars and high-end gold clubs. However, the material doesn’t have that same look, so while it has real value in terms of technology, if it looks inexpensive, the perceived value is just basic grey plastic.

    The Px7 S2e corrects this with a color-injected composite, offering a premium look while maintaining weight and strength. The headband has also been updated with a rigid top structure that looks more premium, along with excellent color matching across the various materials—a challenging task as you move between various plastic, cloth, and textured metals. This is where you can tell if a brand is putting in the work to design something special or minimizing material and color options to simplify production, and lower internal costs.

    Focusing on Performance, Not Just Technology

    As much as I appreciate exceptional design and materials, style without substance falls flat. While audiophiles would argue for open-back, wired headphones, the convenience of wireless is a must for everyday use. The Px7 S2e delivers with Bluetooth 5.2 and supports a wide range of codecs including aptX, AAC, and SBC. But don’t get too caught up in these speeds and feeds, since codec availability largely depends on your source device. My iPhone 15 for example, uses AAC, which sounds excellent with a good source, although I am a fan of Qualcomm’s aptX technology if you are on an Android.

    Clean sound, with a little bump in the bass region, and rich, silky-smooth mids and highs, that sounds just like the instruments and vocals should. The soundstage feels as though the music is moving around you, creating an immersive experience. The Px7 S2e offers solid bass performance with reinforced earcups and a larger driver size, ensuring robust bass without overwhelming the overall sound.

    What truly sets these headphones apart is how they bring together the advanced 24-bit processing, sophisticated DSP, and custom 40mm drivers. Unlike generic off-the-shelf components, these drivers are specifically designed for the Px7 S2e, ensuring great sound and a perfect fit with all the other technology crammed inside the earcups. This precise engineering results in exceptional audio quality and precise imaging, but nailing the first one doesn’t automatically lead to mastering the second. Think of audio quality as the tech measurements. Frequency response, noise leakage, technical data that is important, but requires context from the overall experience. Imaging can be measured but it is really about what you hear “visually”. Can you “see” the stage and know the bass player is on the left, with the piano a bit further back on the right, and the vocalist walking across the stage. The soundstage should feel as though the music is moving around you or directly in front, rather than just hearing music from the earcups. This immersive experience is one of the standout benefits of the Px7 S2e, especially if you feed it good content.

    Opinions on bass performance often divide listeners. Some prefer flat, accurate frequency response, while most enjoy a warmer, slightly bass-emphasized sound. Either way, achieving proper bass in headphones requires a good seal around the ears, proper clamp force, and the right driver size. The Px7 S2e excels with well-engineered earcups featuring reinforced walls that keep bass energy directed towards the listener. They then add a larger 40mm driver vs. the Sony (30mm) and Bose (35mm) models to better hit those low notes. The headphones provide robust, but not overpowering bass that enhances the listening experience, while the app offers the ability to bass boost when needed, a consumer request much to the sound engineer’s chagrin yet its addition means they are listening to the consumer. Their pillowy soft earcups maintain a good seal, ensuring bass notes are delivered with impact and clarity, while also not overheating my ears – a common occurrence with some cushion materials when listening for an hour or more.

    In line with the other headphones, the Px7 S2e offers a competitive battery range of 20-30 hours, influenced by: volume levels, ANC usage, and distance from your phone. Quick charging via USB-C means you can get several hours of playback from just a 15–20-minute charge, perfect for long flights or busy days.

    Headphone  Bose 

    Quiet Comfort Ultra 

    Sony 

    WH-1000XM5 

    Beats 

    Studio Pro 

    Bowers & Wilkins 

    Px7S2e 

    Apple 

    AirPods Max 

    Driver Size  35mm  30mm  40mm  40mm  40mm 
    Battery Life  24 hours  30 hours  40 hours  30 hours  20 hours 


    Can you hear me now because I can’t hear you!
     

     What about Active Noise Cancellation or ANC, and call quality? Bose has long been the leader in ANC, but since the XM4, I feel Sony has taken the top spot. As you can see in the chart, ANC attenuation is lower, but earcup leakage is better with the Sony, which helps in overall performance. For call capabilities, Bose has the most natural microphone clarity, though the gap is closing with each new generation. Here’s a short clip from each I downloaded from rtings.com. I also had the chance to test the Px7 S2e myself on a plane, and then again at a car dealership for 4-hours while I was waiting for my car to be serviced. I could have waited at home, but it seemed like a good opportunity to get another datapoint on how well they performed in the field.

     

    Headphone  Bose 

    Quiet Comfort Ultra 

    Sony 

    WH-1000XM5 

    Beats 

    Studio Pro 

    Bowers & Wilkins 

    Px7S2e 

    Apple 

    AirPods Max 

    ANC Attenuation  -27dB  -25.81dB  -22.67dB  -22.33dB  -26.06dB 
    Noise Leakage  37.83dB  35.69dB  32.30dB  35.34dB  38.88dB 

    Beats Studio Pro
    Apple Airpods Max
    Bowers & Wilkins Px7 S2e
    Sony WH-1000XM5
    Bose Quietcomfort Ultra
    Recordings provided by rtings.com

    While Bose and Sony might have the edge in pure ANC and call performance, the Px7 S2e strikes a balance between noise reduction and maintaining excellent audio quality. But isn’t maximum noise attenuation the point? Sure! Except I know ANC has an impact on the music, which I want to minimize. So, while I can respect the attenuation numbers Bose and Sony put up, what I actually need is something that cuts background noise well, like droning airplane noise and the mid-range to higher frequencies of office work, while minimally impacting the audio performance.

    While the Px7 S2e is admittedly the lowest performer in terms of pure attenuation, a ton of time was spent balancing between the need for silence and the negative effect ANC has on music. Personally, when I’m playing music at an engaging level, I often turn ANC off because it sounds better, and I can’t hear the outside noise at those playback levels anyway. When I was on my recent flight, turning ANC on immediately got rid of the engine and air noise and reduced everything else. The same happened at the car dealership. The noise from the street and AC system was gone, the background music playing was barely audible, and although I could hear some voices, it cut out 80%-90% of the twenty or so people walking around or talking at their desks. I know Bose and Sony ANC attenuates better, but if that means giving up better audio, I’m not willing to do it. I look at this as a time when the whole is greater than the sum of its parts, and subjectively I think anyone looking for great audio quality while providing solid background noise reduction would be happy with the way the Px7S2e balances ANC and music playback.

    Greater than the sum of its parts
    While other headphones may measure as well or better in a specific category, I believe you need to look at the data, then actually use the various products to really understand which one is right for you. Obviously, that’s tough for most people, since using it for five minutes in a store doesn’t really give you a proper idea of what it’s going to be like after hours of use. This is why returns in the headphone category attributed to buyer’s remorse is so high, often 8%-12% when only 1%- 2% are deemed defective. It’s also why I wanted to walk you through my experience, to help make that decision a bit easier for you, while still pointing out what each headphone does well in case you have a different need. Also, this isn’t a sponsored article, so if you have questions on any of these headphones or want to better understand which one is right for you, drop a comment, and I’m happy to provide you with an objective opinion.

    So, what’s my verdict? The Bowers & Wilkins Px7 S2e combines advanced technology, thoughtful design, and high-quality materials to deliver a premium listening experience. While Sony and Bose offer strong alternatives, the Px7 S2e stands out for its balance of comfort, sound quality, and luxury feel, and at $400, it’s a true value in the $300-$550 price range we’re discussing, and what I spent my own dollars on in this case.

    Even better, as I was wrapping up a few things, I found two great options if you decide the Bowers & Wilkins product is right for you. Costco has a promotion for the month of June, where the previous version, the Px7 S2 in Anthrocite Black is only $229.99, an absolute steal. While not the latest version, these are basically the same headphone, and at that price I can’t imagine why this wouldn’t be your next headphone. If you want the latest though, the Px7 S2e are also on sale currently for $319.99 at your local or online retailer. I reached out to one of my previous workmates and was told these are likely on sale until the 15th, so if you want the “e” version, I’d pick it up pretty quick before they go back to $399.99.

    PX7 S2 at Costco for $219.99
    Px7 S2e at Amazon for $319.99

    Now, as promised, here’s the info on my giveaway! I’m giving away a pair of Px7 S2e headphones to celebrate the launch of my YouTube channel, FAQnatics. Click here to watch a quick video for all the details, or just click here to register. There will be multiple ways to enter and participate and I expect to do more and bigger giveaways as I get more participation.

    Drop a comment to let me know what you think about these headphones, this review, or if there is a product or category you’d like to know more about.

    Chat soon,
    Brett Bjorkquist
    Principal MRKTMKR
    & Head FAQnatic
    Brett@mrktmkr.com
    YouTube: @FAQnatics

     

     

     

  • Stars shine with Shure at Academy Awards

    Stars shine with Shure at Academy Awards

    This year’s Academy Awards had it all: nail-biting anticipation, heartfelt speeches, and incredible musical performances. With the help of Shure wireless audio technology, the industry’s most experienced professionals brought the evening to life, making certain that all 10.5 million viewers watching the event around the world could enjoy every blockbuster moment with crystal-clear audio quality.

    Overall, the Academy Awards’ production team deployed 50 channels of Shure Axient Digital wireless, monitoring the spectrum with Shure Wireless Workbench. The team, comprised of professionals from ATK and Soundtronics, also deployed 16 channels of Q5X PlayerMics that were combined with Axient Digital wireless receivers to deliver superior digital transmission and spectrum efficiency. Originally developed for the NBA, Q5X PlayerMics are super concealable, bendable, and are designed with Shure Axient Digital radios. Each Q5X PlayerMic was paired with Shure’s TwinPlex Premium Subminiature microphones to provide the most transparent audio while remaining easily concealed.

    “The Shure TwinPlex lavalier mic is still the state of the art for live television specials like this year’s Oscars,” said Pat Baltzell, Sound Producer for the Academy Awards. “Unlike Broadway shows where the performers are trained to project their voices, the movie actors prefer to speak confidentially, like they do on film sets. So, the challenge is more difficult to get their voices to the back row in a 3,300-seat theater. We also chose to use the TwinPlex lavs on the drummers / vocalists for the Osage Tribal performance of “”Wahzhazhe”” from Killers of the Flower Moon because we could pick up more of the vocal compared to the drum using judicious microphone placement.”

    “Throughout the Academy Awards, Shure’s Axient Digital delivered outstanding, reliable wireless for performers and presenters,” said Stephen Vaughn, RF Coordinator for Soundtronics. “In some cases, we paired Axient Digital with Q5X PlayerMics, which allowed us to offer even more flexibility and concealability for performers. Meanwhile, Wireless Workbench provided the monitoring capabilities necessary to help deliver a seamless event.”

    Notably, all handheld presenters throughout the event used Axient Digital (AD2) transmitters that were equipped with Shure KSM9 condenser microphone capsules. Every single vocal performance throughout the evening trusted Shure Axient Digital (AD2) transmitters as well.

    For Ryan Gosling’s viral performance of “I’m Just Ken,” the Barbie star sang into a KSM9 microphone capsule.

    Jon Batiste delivered a performance of his profound ballad “It Never Went Away,” written for the documentary American Symphony, singing into a Shure KSM8 dynamic microphone capsule.

    Andrea Bocelli and Matteo Bocelli shared an intense performance of “Time to Say Goodbye” for the memorial segment. Music for the performance was arranged and produced by Hans Zimmer. The Bocelli’s sang into KSM9 microphone capsules.

    “Congratulations to all of the individuals who worked on this year’s Academy Awards. It’s a joy to collaborate with this team to determine the technology that can meet the requirements of such a prestigious event,” shared Jenn Liang-Chaboud, Manager of Entertainment Relations, at Shure.

     

  • Shure Microflex® Wireless neXt 2 is Now Certified for Microsoft Teams

    Shure Microflex® Wireless neXt 2 is Now Certified for Microsoft Teams

    Shure, a global manufacturer of audio equipment since 1925, specializes in microphones, wireless systems, in-ear monitors, earphones, and conferencing systems. Based in Niles, Illinois, with over 40 manufacturing facilities and regional sales offices, Shure is trusted for critical listening and high-stakes moments.

    Shure announces the certification of its MXW neXt 2 Microphone System for Microsoft Teams, enhancing conferencing experiences with exceptional audio quality.

    The certification demonstrates Shure’s commitment to providing reliable, high-quality audio solutions that meet market standards, fostering collaboration and innovation between Shure and Microsoft Teams.

    Shure, a leading global manufacturer of audio equipment, continues to enhance the conferencing experience by expanding its collaboration with various UC platforms. Today, Shure is thrilled to announce that the new Microflex® Wireless neXt 2 (MXW neXt 2) Microphone System is Certified for Microsoft Teams. This certification signifies the seamless compatibility and reliable performance of the MXW neXt 2 with Microsoft Teams, providing users with exceptional audio quality in hybrid teaching and conferencing environments.

    The MXW neXt 2 is an all-in-one two-channel wireless audio system designed to offer a versatile, innovative, and cost-effective solution for diverse spaces in corporate and education. With a choice of rechargeable wireless microphones, it features a unique combination of advanced onboard DSP capabilities and comprehensive audio I/O connections, including USB, Dante networked audio, and analog audio. It pairs mics at touch-of-button, which simplifies complex installation workflows and offers outstanding audio out-of-the-box.

    Shure’s MXW neXt 2 is ideal for classrooms in schools and education institutions as well as for business and corporate training spaces where users need a quick, easy-to-use, and outstanding audio during their presentations.

    Being Certified for Microsoft Teams showcases the commitment of Shure to deliver innovative and top-notch technology for an unparalleled user experience.

    As of today, Shure’s MXW neXt 2 is Certified for Microsoft Teams ensuring seamless collaboration and integration.

    “Certifications represent a significant technical achievement. By being Certified for Microsoft Teams, we demonstrate our dedication to providing IT professionals and AV managers with reliable, high-quality audio solutions that meet current market standards. We are excited to continue expanding the possibilities for collaboration and innovation between Shure and Microsoft Teams,” said Julie Crawford, Strategic Alliance Senior Marketing Manager at Shure.

     

  • Shure Wireless “key to Halftime Show” and Captures the Big Game’s Biggest Moments

    Shure Wireless “key to Halftime Show” and Captures the Big Game’s Biggest Moments

    For the first time in history, the biggest game in American Football descended upon Las Vegas’ Allegiant Stadium. This presented a massive new challenge: managing the Super Bowl’s immense production in Las Vegas’ already crowded wireless radio frequency (RF) environment.

    An expert production crew fearlessly tackled this challenge and delivered an outstanding entertainment experience to all attendees and a staggering 202.4 million broadcast viewers. To ensure the highest-quality audio for the entire Super Bowl, the production team trusted the Emmy Award-winning Shure Axient® Digital Wireless Microphone System.

    “Axient Digital is the key to the Halftime Show,” shared Lead RF Engineer Cameron Stuckey. “We are using every feature that sets it apart to the fullest extent possible. And, at this point, it is hard to picture how I would design the wireless system without it. The unmatched coverage Quadversity provides, combined with the reliability of Frequency Diversity, means the team and I can support every artistic decision across an entire football field with confidence in the harshest environment of the year.”

    The RF team depended on ten AD4Q Four-Channel Digital Wireless Receivers, an AD600 Axient Digital Spectrum Manager, and two AXT400 Axient Dual Channel Receivers. For another year, ATK used Axient Digital AD4Q with Quadversity, a patented Shure technology, leveraging four simultaneous RF inputs to feed a single RF channel. Quadversity can extend the coverage area of a microphone channel or enable multiple coverage areas with additional antenna inputs, making it ideal for challenging RF environments like Las Vegas.

    ATK Audiotek and Professional Wireless Systems (PWS) handled all wireless microphones and IEM systems for the pre-game entertainment, halftime entertainment, and referees. This is the 27th year PWS has served as ATK’s wireless partner at the big game.

    The team included Broadcast Mixer Tom Holmes, Entertainment Front of House Mixer Alex Gussard, Entertainment Front of House Music Mixer Dave Natale, Monitor Mixer Tom Pesa, Lead RF Engineer Cameron Stuckey, and RF Techs Gary Trenda and Kasey Gchachu. The RF Team Lead for CP Communications was Loren Sherman. The production was made possible by a hardworking crew of A2s.

    Michael Mason, President of CP Communications, worked with his team to supply 45 channels of Axient Digital wireless and 14 channels of Shure PSM® 1000 In-Ear Monitoring Systems that were used for the pre-half and post-game studio shows as well as in game reports from the sidelines.  Michael also made a point to note that Shure equipment was not only present for the big game, but for studio shows around Las Vegas during pre-week as well the Opening Night, Red Carpet, and Honors shows.

    “At CP Communications, we continue to rely heavily on the Shure Axient Digital series of microphones and Shure PSM to bring the highest-quality RF experience to our broadcast partners,” shared Michael. “Using the Quadversity option with the Axient Digital Microphones affords us assurances on coverage while the Frequency Diversity option gives us the comfort of protection on the frequency interference front.  It was an easy choice of products given our client’s request for coverage of the big game in Las Vegas”

    “Shure at the Super Bowl has been a standard for entertainment for many years,” shared Tom Pesa, Monitor Mixer. “Shure began outperforming others years ago on this event, most notably in the wireless in-ear department. Just speaking in terms of the monitor team, there is no room for failure when moments such as the National Anthem or The Super Bowl Halftime Show are being viewed by record-setting audiences worldwide… The standard is Shure PSM 1000 for ears, and, from a sound standpoint, nobody argues about how good they sound and how widely used they are. That acceptance allows our audio team to not worry about trying to make some other product work. The programming capability allows for quick preparation for some of the first rehearsals on field as almost 80 in-ear receiver packs are used among principal performers, band, and large core dance groups. Also, as always, cue mode saves the day when quickly bringing a mix to a pack for a choreographer, guest engineer, or producer to hear what any particular artist is hearing.”

    Tom continued, “Topping it all off in monitor world is the utilization of Wireless Workbench to constantly monitor wireless in-ears as well as all of the Shure microphones to gauge metering, RF status, and an array of other details since the actual RF equipment lives and is managed by the RF team away from monitor mix. All of these Shure products, seamlessly working together, is a massive part of the success of the audio team at the Super Bowl each year.”

    Days before the game, football players joined GRAMMY award-winning musical artists to share uplifting music and inspirational messages during the Super Bowl Soulful Celebration. All performers at this event were equipped with Shure KSM8 microphones.

    “I loved using the Shure KSM8 capsule on all of the vocal mics for this year’s Super Bowl Soulful Celebration,” shared Larry Reed, A1 Audio Mixer. “I especially like it for its crisp top end and its off-axis rejection around a loud house band. I was able to use it on Kirk Franklin, Mary Mary, Rachel Platten, Robyn Thicke, Mickey Guyton, and Earth, Wind & Fire. The KSM8 is my go-to capsule for vocals.”

    During the TikTok Tailgate event, Gwen Stefani took to the stage with an Axient Digital transmitter outfitted with a patented, new Shure microphone technology.

    Before kickoff, Reba McEntire trusted Shure Axient Digital for her spectacular live performance of “The Star-Spangled Banner.”  Reba used a frequency diversity handheld microphone transmitter outfitted with a nickel-plated KSM11 capsule. The accompanying drumline was also relying on Axient Digital transmitters.

    “Shure KSM series capsules are perfect for every type of singer, and for me, the KSM9 and KSM11 are my go-to favorites for wireless vocals. Clear, crisp, and just the right amount of rejection without getting too ‘spitty’ sounding,” shared Tom Holmes, Broadcast Mixer. “They [Shure] have a great range of mics suitable for every application.”

    Andra Day’s rendition of “Lift Every Voice and Sing” was performed on Shure Axient Digital Frequency Diverse (FD) wireless transmitters. Also, Cameron Heyward of the Pittsburgh Steelers accepted the Walter Payton Man of the Year award with an Axient Digital transmitter and KSM9 microphone capsule.

    Every handheld transmitter on stage during the Halftime Show was Axient Digital (ADX2 / ADX2FD) and nearly every performer featured new, patented Shure microphone technology. For headsets, multiple artists used Axient AXT100 bodypacks. One of these artists was H.E.R., who used AXT100 for her headset and guitar. She also relied on a new Shure microphone technology for her jaw-dropping on-stage appearance.

    For another year, referees used two Axient Digital ADX1 bodypack transmitters working together in Frequency Diversity mode and paired with Shure’s premium subminiature TL47 model TwinPlex® omnidirectional lavalier microphones. While omnidirectional lavaliers are typically used in controlled audio environments like theaters, TwinPlex was uniquely suited for this stadium application, given the lavalier microphone’s ultra-pristine, natural response, and off-axis consistency.

    Meanwhile, the CBS broadcast relied on ADX2 transmitters and Shure Mic Flag Extenders.

    “I always enjoy collaborating with the artist teams who work diligently to find the right technology for talent,” shared Jenn Liang-Chaboud, Manager of Entertainment Relations, at Shure. “It’s truly a mutually beneficial relationship. Their insights and feedback help make our products better.”

    “From the sounds of the game to the entertainment and everything involved with the broadcast, the Super Bowl is a tour de force of audio production and wireless management,” said Nick Wood, Senior Director, Professional Audio Products, at Shure. “Shure is honored to be a part of it and grateful for the trust of the many amazing professionals who make it work each year.”

     

  • SHURE UNVEILS MICROFLEX® WIRELESS neXt 2 AHEAD OF ISE 2024

    SHURE UNVEILS MICROFLEX® WIRELESS neXt 2 AHEAD OF ISE 2024

    Shure is the manufacturer of audio equipment since 1925, specializes in high-quality, performance, and durable products like microphones, wireless systems, in-ear monitors, earphones, and conferencing systems.

    The company has launched Microflex Wireless neXt 2, a versatile, cost-effective, and intuitive two-channel wireless system, expanding its Microflex Ecosystem, offering a cost-effective audio solution for diverse spaces and hybrid environments.

    This cost-effective, intuitive, and all-in-one solution offers advanced DSP capabilities, comprehensive audio I/O connections, simplified installation workflows, and high-quality audio for all sizes. It aims to enhance meeting equity and sound reinforcement in videoconferencing and hybrid presentations.

    Today, Shure announced the launch of Microflex® Wireless neXt 2 (MXW neXt 2), the newest addition to its Microflex Ecosystem, expanding  the success of the original Microflex Wireless platform. Designed with a unique combination of advanced features, the new Microflex Wireless neXt 2 is a versatile, two-channel wireless system designed to offer a cost-effective, intuitive, and all-in-one audio solution for diverse spaces and hybrid environments.

    “MXW neXt 2 is an ideal new solution for those seeking enhanced meeting equity and clear sound reinforcement in videoconferencing and hybrid presentations, both in classrooms and business spaces,” said Doug Daube, Director of Conferencing, Global Product Management, at Shure. “AV/IT professionals in corporate and higher education environments now require more flexible solutions for teaching, conferencing spaces, and other hybrid scenarios. MXW neXt 2 will help address their current challenges by simplifying workflows and affordably delivering exceptional Microflex audio performance, all in a user-friendly and convenient form factor.”

    INNOVATIVE. INTUITIVE. FLEXIBLE.
    In today’s corporate and education environments, integrators and audio professionals demand user-friendly, consistent, high-quality audio solutions from small conference rooms to large auditoriums. To meet these requirements, Microflex Wireless neXt 2 features a unique combination of advanced DSP capabilities and comprehensive audio I/O connections, including USB, Dante networked audio, and analog audio. It pairs mics at touch-of-button, taking just a matter of minutes to set up easily. All these features simplify complex installation workflows and offer outstanding audio out-of-the-box.

    Microflex Wireless neXt 2 provides high-quality audio for spaces of all sizes that require only two microphones and connects seamlessly to video conferencing systems for situations with remote presenters. It also delivers a new microphone design with upgraded security and an increased dynamic range and longer battery life of up to 28 hours for all-day use.

    ALL-IN-ONE SOLUTION FOR YOUR COMPLETE ROOM AUDIO NEEDS
    MXW neXt 2 enables quick and easy integration for different rooms with an all-in-one base unit that combines an APT/charger and advanced onboard DSP, reducing the amount of hardware required. It can be network-installed or used as a standalone system, with its comprehensive set of audio connections: Dante, Analog, and USB.

    MXW neXt 2 offers a choice of three different redesigned wireless microphone form factors, each with an added LCD high-resolution matrix display for monitoring remaining battery life and connection quality. The MXW1X Bodypack, MXW2X Handheld, or MXW6X Boundary can be pre-configured to handle multiple applications with ease and can all be charged in the same base.

    With an increased battery run time between 17 hours for bodypack and boundary microphones and 28 hours for handheld microphones, integrators can set up a room with confidence, knowing the space will be equipped with reliable, exceptional audio for use through long lectures and all-day workshops.

    Thanks to its direct connectivity to video conferencing systems and seamless integration with MXA array microphones, the new Microflex Wireless neXt 2 is perfect for hybrid use cases that require audio capture of participants in the room, sound reinforcement of a presenter, and far end audio from remote presenters  in a live setting or even for recording. This unique capability makes creating true meeting and learning equity more achievable.

    SUPERIOR ENCRYPTION
    Recognizing the importance of confidentiality in corporate spaces, MXW neXt 2 includes Shure Audio Encryption, based on the AES-256 algorithm that offers a robust and protected audio signal. The AES-256 encryption algorithm has been adopted as one of the safest forms of network protection and uses a user-configured passphrase on all devices. This built-in security ensures audio content is protected among all Microflex devices in the room, giving both end users and integrators peace of mind.

     MXW neXt 2 will be on display at ISE 2024 (January 30 – February 2). Visit Shure on the show floor at Booth #3N300 in Hall 3.