Opened in 2017, Attika sits on the third floor of La Favela, one of Seminyak’s best-known dining and nightlife destinations. Reached through a private entrance within La Favela, the venue offers a change of pace and atmosphere from the spaces below.
Attika draws its identity from the speakeasies of the Prohibition era. Low lighting, reddish dark wood, aged brown leather, antique furnishings and an old-fashioned till give the room the feel of somewhere discovered rather than simply entered. Cocktails are a central part of the experience, with the venue moving from relaxed socialising into a more energetic late-night setting as the evening develops.
That combination presented a particular challenge for the audio system. Attika needed the power and low-frequency presence expected from a modern club, but it was not intended to feel like a conventional nightclub. The sound had to support the atmosphere of the room rather than work against it.
The speakeasy concept has its roots in Prohibition-era America, when hidden bars operated behind unmarked doors and offered a discreet alternative to conventional drinking establishments. Today, the idea is less about secrecy and more about creating a sense of discovery, intimacy and escape. Speakeasy-inspired venues typically use subdued lighting, vintage furnishings and carefully considered details to create a setting that feels removed from the world outside.
Guests might arrive at Attika for cocktails and conversation before staying for a DJ set later in the night. This meant the system had to perform convincingly at different levels, retaining warmth and detail during quieter periods while providing the output and headroom required when the room became busier.
Coverage was another important consideration. In an intimate venue, uneven sound is particularly noticeable. Excessive levels close to a loudspeaker can quickly become uncomfortable, while quieter areas elsewhere in the room can feel detached from the music. As the number of guests changes throughout the night, so does the way sound behaves within the space, making controlled and consistent coverage essential.
The system also had to deliver sufficient impact without relying on volume alone. Strong bass is an important part of the experience, particularly during DJ-led events, but it needed to remain controlled. At the upper end of the frequency range, the requirement was for clarity and definition without the harshness that can lead to listening fatigue over the course of a long evening.
Crest Audio Versarray 112 MK III passive two-way ribbon line-array modules were selected for the main system. Each combines a 12-inch Neo Black Widow woofer with two RD 2.6 MK III ribbon tweeters, providing the output and controlled dispersion required for the space.
The system’s adjustable rigging allows the array to be configured around the room, directing sound towards the areas where it is needed and helping to reduce large differences in level across the venue. The ribbon high-frequency section reproduces the detail in the music clearly, while maintaining a smoother character at the higher operating levels required later in the night.
Crest Audio CPL+ loudspeakers provide further support across the venue, contributing to more consistent coverage and helping the system maintain a balanced presentation throughout the room.
Power is supplied by Crest Audio Pro-LITE amplifiers. Their Class-D design and switch-mode power supplies combine high output with a lightweight and efficient format. More importantly for Attika, they provide the headroom needed to handle the changing demands of the venue without the system sounding strained when music levels increase.
Day-to-day management is handled through a Crest Audio PCX platform with Dante. The processor is located on the ground floor but controls Attika’s upstairs audio system across the network. This arrangement gives the sound engineer convenient access to the system without requiring the processing equipment to be housed within the venue itself.
It also brings system control, DSP and networked audio together on a single platform, making the installation easier to manage during normal operation and across the different events and performances hosted at Attika.
Akshay Vaidya, Director, Peavey Asia Pacific, says: “It was a great pleasure to be part of the Attika project. It is a distinctive venue within Bali’s nightlife scene, where sound quality, control and consistency are all important.
“The Crest Audio Versarray 112 MK III provides the high output, controlled coverage, clarity and dynamic headroom required for the space, maintaining definition and tonal balance even at nightlife SPL levels.
For the Attika team, reliability and consistency are just as important as the performance of the system on a busy night.
Zuben Naik, Operational Manager at La Favela and Attika, comments: “From my experience working with the Crest Audio system at Attika, I’ve found it to be very reliable and consistent for our day-to-day operations. The system has been performing well and gives us a clean, powerful sound that works really well for the different events and performances we host.”
The finished system reflects the way Attika operates. It has enough output for late-night DJ sets, but it can also sit comfortably behind the conversation during the earlier part of the evening. Coverage remains consistent across the room, and the system gives the venue team the control and flexibility needed for regular operation.
Vaidya concludes: “The Versarray range from Crest Audio is proving to be very popular across APAC as venues discover the quality, flexibility and value that it provides. Attika is the latest example of how quality audio can transform a venue with Peavey Commercial Audio meeting customers’ needs to be on time and within budget.”










