Audio-Technica added a Dante-enabled version to its ATSP-30 ceiling speaker line this month, according to InAVate. The new ATSP-30DP joins the existing ATSP-30LP model and targets small and midsize meeting rooms. Both models mount flush in the ceiling and ship in pairs, one active and one passive. Audio-Technica built the line around its ATDM SmartMixer platform. A pair of speakers can join a full networked audio system over standard Cat5e cable. Onboard DSP handles EQ, delay, and presets. Integrators can plan a room first with Audio-Technica’s Speaker Layout Tool or EASE modeling software.
The announcement raised a bigger question on a recent episode of AVWeek. A ceiling speaker can now run over standard network cable and pull power from the same switch. Does a separate amplifier still earn its place in the rack? Host Patrick Norton put it directly.
“Are amplifiers dead if we can run power over Ethernet speakers anywhere?” Norton asked.
Listen to the full episode of AVWeek 778 – Click Here
The case for going all-in on the network
George Tucker, an event staging technical specialist at Corporate Audiovisual Services, said the answer depends entirely on the room. “It’s Dante controlled, so you have complete access to these units,” Tucker said. He pointed to the control that access gives an integrator over every speaker on the network. A networked speaker reports its own status, so a tech can catch a problem without walking the building.
Tucker described the payoff in practical terms. A tech watching the system remotely can see that a speaker is offline. The dashboard can also show that someone flagged the volume as too loud. That kind of metadata turns a guessing game into a quick fix.
Tucker said that visibility would have saved him time earlier in his career. He was working at Crestron and a couple of integration firms then. “It would make diagnosing a problem remotely so much easier,” he said. Norton added that the wiring gets simpler too, since fewer dedicated speaker runs need pulling through a ceiling.
BC Hatchett, director of classroom technology at Vanderbilt University, agreed the appeal is real. “It goes back to what you’re going to use it for,” he said. In a hard-to-reach spot, a networked speaker can skip an expensive new cable run altogether. That works as long as the existing network already reaches that spot.
Where amplifiers still win
However, both panelists drew a hard line at scale. Tucker uses self-powered speakers for smaller events without hesitation. Large crowds change the math. Graduations and big ballrooms need an amplifier to drive a full speaker array across the room. Built-in power alone can’t cover that kind of distance or fill that much space with even coverage.
Fidelity raises a second limit. Tucker said a standalone amplifier, paired with a separate EQ, gives a cleaner signal chain. It’s also more controllable than an all-in-one unit. Serious listeners notice the difference most. Tucker put his own loyalty on the line with a joke about it. “You’ll take my McIntosh from me with my cold, dead hands,” he said, referring to the well-known amplifier brand.
Hatchett flagged a practical constraint too. Every network switch has a limited PoE power budget. That budget gets split across every connected device on the switch. A speaker that needs real output can outrun what the switch has left to give it. Cameras, access points, and other gear are often already drawing power too. Hatchett checks that math before every install, not after.
Running a new low-voltage drop isn’t free either. Hatchett estimated the cost at $500 to $600 per drop, once his team brings in licensed installers. Weighed against that, a PoE speaker on existing cable can look far cheaper. That holds true right up until the switch runs out of power to give it.
A tool, not a replacement
Neither panelist called amplifiers obsolete. Hatchett summed up the panel’s consensus. “Are amplifiers dead? No,” he said. “But it is a cool screwdriver to keep in the toolbox.”
That framing fits the ATSP-30DP itself. Audio-Technica built the speaker for small and midsize rooms, not stadiums or ballrooms. It solves a real installation headache in those spaces. It doesn’t pretend to replace what an amplifier does at scale.
The broader shift toward networked audio, through Dante and similar protocols, has already reshaped plenty of wiring decisions. Choices that once lived on the truck now live on the switch. This speaker is one more data point in that trend, not a verdict against amplifiers.
Buyers weighing PoE speakers against a traditional amp setup should start with the room, not the spec sheet. A huddle room and a graduation stage have almost nothing in common, and the right answer changes with each one.










