Tag: NBC Sports

  • Telycam PTZ Cameras Deliver ‘Insane’ Quality Gains for Stadium Sports Network

    Telycam PTZ Cameras Deliver ‘Insane’ Quality Gains for Stadium Sports Network

    Aiming to elevate the visual quality of its production services for broadcasts of the U.S. Curling Trials for the winter games in Italy, Stadium Sports Network selected Telycam Explore XE cameras to deliver the pristine video they needed. The resulting quality gains exceeded their expectations, outperforming much more expensive alternatives.

    The Goals

    Stadium Sports Network’s roots began as specialized systems integration firm Curling Stadium, focused on deploying streaming solutions in curling arenas. The success of those deployments led to requests for the company to provide full production services for organizations such as USA Curling and international governing body World Curling. Founder and CTO John Benton expanded the company into the full-service Stadium Sports Network to meet this growing demand.

    Now serving an increasingly high-end clientele, Stadium Sports knew they would need to upgrade from their previous PTZ cameras. “World Curling and USA Curling distribute our feeds to premium buyers such as TSN and other international television channels, who then air it on linear TV,” explained Benton. “We knew we needed to provide better quality for linear television, and that our existing PTZ cameras weren’t going to cut it.”

    Benton wanted cameras with 1-inch sensors and the ability to handle the unique demands of capturing curling. This objective became even more important when Stadium Sports was contracted to produce the U.S. Curling Trials in South Dakota for NBC Sports in November 2025. The event – which would determine which teams would represent the United States at the world’s biggest quadrennial sporting event in Italy – was to be broadcast on USA Network and NBCUniversal’s Peacock streaming service.

    “When we were working on the Olympic curling trials, it was crucial that the cameras could handle the lighting, exposure and focusing challenges of shooting on a 200-foot sheet of ice,” said Benton, who is a former Olympian himself. “There were cameras from the big broadcast brand names that could do it, but their high cost meant that purchasing them rather than renting them would make it difficult for us to offer our production services cost-competitively.”

    Stadium Sports’ partner in Scotland, David Owen of Curling Stadium Europe, recommended that Benton look at Telycam’s Explore series. Benton tested Telycam Explore XE broadcast-class PTZ cameras, and was so impressed that he purchased three Explore XE units for the upcoming production.

    The U.S Curling Workflow

    For the USA Curling event, Stadium Sports used the three Telycam Explore XE cameras as primary cameras. Two were positioned as overhead cameras that were hung on a truss above the ice, over scoring areas at each end known as “the house”. The third camera, referred to as the “slide camera”, was deployed on the field of play. All three cameras were constantly panning, tilting and zooming throughout the matches.

    The Telycam PTZ cameras output NDI HX3 streams, which were transported to the production room over an Ubiquiti network with 10Gbps fiber connectivity. The production center housed four space-efficient operator stations: the main switcher system running vMix software; two camera operator positions; and a graphics and audio station featuring Singular Live HTML5 graphics and a Behringer X32 mixing console.

    “Unbelievably” Spectacular Results

    The upgrade to the new PTZ cameras delivered the quality gains Benton had strived for. “We couldn’t be happier with the Telycam Explore XE cameras,” he praised. “And more importantly, NBC Sports and Peacock were also very happy with the quality we produced.”

    The impressive results were even more striking when compared to Stadium Sports’ recent experience with more expensive alternatives. “For the mixed doubles curling trials in Colorado earlier last year, we had rented high-end cameras from a big broadcast brand, but we struggled a bit with them,” Benton explained. “With curling, you’ve got arena lighting and a white sheet of ice. You’re often tilting from the far end to the near end, and as you come to the near end, you’re getting tons more light because you’re looking directly down to the ice. Telycam’s auto-exposure and focus management absolutely blew the more expensive cameras we rented out of the water.”

    “What we got in terms of quality with the Telycam cameras is unbelievable,” Benton continued. “It’s almost insane to think that at the price of the Explore XE, it would give us superior quality than we were getting from a high-end camera from a much more expensive brand.”

    Beyond the visual quality advantages, Benton also praises the operational benefits of the Telycam cameras. “The user interface is easy to understand and to find what I’m looking for, and you can actually see the difference in how the image is changing when adjusting features. That’s not the case with many other cameras we’ve used. Matching the exposure and color temperature between cameras is also super-simple, and out of the box, the Telycam cameras were as close as any set of cameras we’ve ever used.”

    Enabling Business Opportunities

    Benton plans to purchase more Telycam cameras as Stadium Sports expands, and sees the USA Curling event as an example of the direction the sports production industry is headed. “You don’t need an OB truck with super-expensive gear and large crews,” he said. “With broadcast-quality PTZ cameras, a few computers, NDI connectivity and a small crew, we can bridge that gap. Cost-effective gear and the reduced labor level allow us to bid these events out at a price point that nobody can beat.”

    The Telycam cameras have become an important part of that shift. “From beginning to end, my engagement with Telycam has been great,” Benton concluded. “From the sales process and getting answers to technical questions, to the outstanding results, it’s been a super-pleasant experience. The Explore XE cameras are giving us incredible value, which allows us to be competitive at the high end of our market.”

  • Elevating the Game: NBC Sports Enhances Audio Production with Dante

    Elevating the Game: NBC Sports Enhances Audio Production with Dante

    Sports broadcasting demands precision, reliability, and innovation, and few organizations exemplify this better than NBC Sports. Over the years, the network has consistently embraced cutting-edge technology to enhance its productions, delivering seamless coverage to millions of viewers. One of the most transformative technologies in their workflow has been Dante, an AV-over-IP platform designed for cross-brand compatibility, reliability, and efficiency.

    Introduced to NBC Sports in 2016, Dante has become the backbone of their audio and communication systems, revolutionizing how the network handles large-scale, complex productions. Dante empowers the network to push the boundaries of live broadcasting—from intercom systems to audio mixing, playing a crucial role in delivering seamless audio experiences for NBC Sports.

    Dante Networking 

    In 2016, the NBC Sports communications team made a decision to deploy a completely new technology for their intercom backbone. The OMNEO technology, developed by RTS Intercom Systems, combined Dante for audio networking and AES70 for control data. At the time, OMNEO was bleeding edge, and using it at high-profile events was a considerable risk, but it paid huge dividends.

    Afterwards, the communications team, led by John Pastore, NBC Sports’ Senior Director of Broadcast Communications, began integrating more Dante into their workflows, not just in their intercom systems but their audio systems as well. “In terms of bringing on new technology at NBC Sports, there is a very slow and cautious approach, which is typically how we like to do things,” said Pastore.

    Fast forward to today, where, for certain events, NBC Sports has rolled out 10 Dante-enabled audio systems engineered for reliability, flexibility, and ease of deployment. The setup for these types of events have included over 350 Dante-enabled devices, such as announcer consoles, analog-to-Dante converters, and high-density audio console I/O units. Together, Dante’s networked audio and built-in redundancy deliver robust and reliable performance, empowering NBC Sports’ teams to operate with confidence.

    The system has also at times featured 11 RTS Intercom systems that incorporated 140 Omneo keypanels, all tightly integrated with Dante to enable audio sharing between consoles, intercom systems, and engineering endpoints.

    Stamford Operations Center: Dante at the Core

    In Stamford, Connecticut, the NBC Sports Broadcast Operations Center produces coverage of events year-round. The Stamford facility has, at points, featured 100 Dante-enabled announcer consoles, and 18 high-density audio console I/O units, all integrated into the audio network. Fourteen Production Control Room intercom systems have used Dante as primary RTS trunking, enabling a dynamic and responsive production environment. In total, the global system has supported over 14,000 trunked intercom and audio resources—enabled by Dante’s unparalleled channel density and the management capabilities of Dante Domain Manager. Final program mixes have been produced using Calrec Apollo, Artemis, and Brio consoles, each outfitted with Dante connectivity to ensure smooth integration with the overall network.

    Analog to Dante: Scaling with Purpose

    NBC Sports’ Broadcast Operations Center now operates a vast Dante network of roughly 500 devices. But that figure only scratches the surface—the network includes numerous high-channel-count consoles and converters, totaling 10,000 Dante sources and 12,000 Dante destinations. The footprint continues to grow rapidly, as new control rooms come online, and legacy point-to-point audio interfaces are replaced with Dante. “That number will go up substantially,” said Pastore.

    Centralized Production, Distributed Flexibility

    This expansion is largely driven by the organization’s move to a Field Acquisition Unit (FAU) production model, with Dante playing a critical role in enabling this shift. The Stamford facility now includes 12 production control rooms, 15 audio control rooms, and two submix rooms—with additional buildouts happening on a regular basis. Under the FAU approach, mobile units deployed to events handle only signal acquisition, while core production tasks—video switching, audio mixing, graphics and replay are centralized at the Operations Center. “The success of our FAU model is reliant on the ease and repeatability we get from using the Dante infrastructure,” said Mike DiCrescenzo, NBC Sports’ Senior A1 & Audio Design Engineer.

    Modernizing Communications at the Core

    The transition from analog to Dante is especially evident in the Communications Machine Room, where legacy analog intercom systems now operate side by side with their Dante-based counterparts. The contrast is striking. Traditional racks filled with analog patchbays and multipin analog patch panels are steadily being replaced by modern setups featuring RTS Intercom ODIN frames and Cisco network switches. Bringing new intercom frames online has become significantly more efficient, requiring only a few network connections and familiar tools like RTS AZEdit and Dante Controller. “With Dante Controller, we can make a few clicks and drags, and our systems light up quickly,” said Niraj Patel, NBC Sports’ Broadcast Communications Engineer.

    Dante Network Control: Seamless Management at Scale

    Managing a Dante network of this scale requires advanced management and monitoring tools. To handle network segmentation, clocking, and the management of multiple subnets, NBC Sports deployed Dante Domain Manager. “Dante Domain Manager has been the only way we’ve been able to scale to meet our needs,” said Dave Meehl, NBC Sports’ Broadcast Communications Engineer.

    Given the complexity of the network and the number of operators involved in daily operations, the team needed to simplify some of the more intricate tasks. To achieve this, they deployed EVS’s Cerebrum broadcast control system, which makes API calls to Dante Domain Manager via Dante’s Managed API. This allows for real-time route changes without operators needing to interact with Dante Controller.

    To further optimize operations, control rooms across the facility are equipped with Densitron touch panels. These panels provide operators with intuitive XY routing capabilities, but with restricted access to only the sources and destinations they need.  This approach limits the scope of control, reducing the risk of accidental changes. “Tech managers and engineers are predominantly dealing with sources we’ve exposed via the Dante Managed API in Cerebrum,” said Paul Dryden, NBC Sports’ System Design Engineer. “The control side of things is critical, and we couldn’t do this without Dante’s Managed API.”

    Dante’s Evolution at NBC Sports

    For NBC Sports, Dante has become far more than just a technology, it’s a cornerstone of their operations. From its initial adoption to the advanced, high-performance workflows of today, Dante has empowered the team to continually evolve, tackle new challenges, and deliver exceptional sports productions. Its scalability, reliability, and flexible integration have redefined the possibilities of live broadcasting, enhancing both the technical execution behind the scenes and the viewer experience on-air. As the industry pushes forward, NBC Sports’ commitment to Dante reflects a broader truth: investing in the right technology not only enables success but also turns ambitious visions into reality.

  • NBC Sports Selects LED Video Wall Provider for Its Production of 2024 Olympic & Paralympic Games in Paris

    NBC Sports Selects LED Video Wall Provider for Its Production of 2024 Olympic & Paralympic Games in Paris

    Planar is a visualization technology company that offers high-quality image performance for demanding environments like broadcast studios, virtual production, government, corporate, and educational facilities. They are the market leader for LED video displays, with offices in Oregon, Europe, and Asia.

    NBC Sports has selected Planar to provide LED video walls for its production of the 2024 Paris Olympics and Paralympics. The coverage will feature multi-platform offerings across NBCUniversal’s networks and streaming services, with Planar’s LED technology enhancing the broadcast with high brightness and precision.

    Planar’s LED video walls offer superior image detail and reliability, making them an ideal choice for NBC Sports to deliver an elevated viewing experience. Planar’s long-standing partnership with NBC Sports and their advanced LED solutions support the network’s goal of presenting high-quality, vibrant visuals to viewers.

    NBC Sports has selected Planar to provide LED video walls for its production of the 2024 Paris Olympics and Paralympics, July 24 – August 11, and August 28 – September 8, respectively.

    NBCUniversal’s coverage of the Olympic Games Paris 2024 will feature multi-platform offerings across NBC, Peacock, USA Network, E!, CNBC, GOLF Channel, Spanish-language networks Telemundo and Universo, and NBCOlympics.com and the NBC Sports app. Every day, NBC will provide Olympic fans with at least nine hours of daytime coverage of the Summer Games’ most exciting events, including live finals coverage. Peacock will be the streaming home of the 2024 Paris Olympics, providing fans with the most-comprehensive Olympic destination in U.S. media history, including live streaming coverage of every sport and event and all 329 medal events.

    The Opening Ceremony will be presented on Friday, July 26, live on NBC and Peacock and again in primetime. NBCUniversal is presenting its 19th Olympic Games, 12th consecutive overall, and owns the U.S. media rights on all platforms to all Olympic Games through 2032. The Paralympics take place from Paris August 28 – September 8, 2024.

    NBC Sports will utilize Planar’s award-winning LED solutions to present high brightness and superior precision for unrivaled image detail, helping NBC Sports route the excitement in Paris back to viewers watching coverage of the Games in the United States. NBC Sports’ production will feature Planar® DirectLight® Pro Series LED video wall in a 1.2 millimeter pixel pitch, as well as an outdoor Planar® Luminate™ Ultra Series LED video wall in a 1.5 millimeter pixel pitch for its production of the 2024 Olympic and Paralympic Games.

    “Planar has been a long-time trusted partner of NBC Sports,” Atila Ozkaplan, VP of Production Operations, Olympics. “We’re excited to continue to feature their LED display technology in Paris and use their latest fine pixel pitch outdoor LED product line for the first time in our Primetime studio, showcasing the incredible visuals created by our talented graphics teams in their full vibrancy.”

    Planar has worked with NBC Sports since 2016, assisting NBC Sports’ production efforts at previous Olympics and other major international sports events in Asia and South America.

    “Planar’s state-of-the-art LED video walls seamlessly disappear inside many of the world’s finest broadcast studios, enabling elevated storytelling and unmatched viewing experiences,” said Planar Executive Vice President Adam Schmidt. “We’re delighted to once again support NBC Sports for another legendary presentation with visualization solutions that reliably deliver for broadcasters and viewers alike.”

  • NBC Sports Utilizes TAG Video Systems for its Production of Olympic Winter Games

    NBC Sports Utilizes TAG Video Systems for its Production of Olympic Winter Games

    NBC Sports has selected TAG Video Systems to provide OTT monitoring and multi-viewing for its production of the XXIV Olympic Winter Games, from Beijing, China, February 2–20, 2022. The announcement was made today by Chris Connolly, VP of Transmission Engineering and Operations, NBC Olympics, and Kevin Joyce, Zero Friction Officer for TAG Video Systems

    NBCUniversal provides coverage of the 2022 Olympic Winter Games from Feb. 2-20, featuring a Winter Olympics-record 2,800+ hours of coverage across NBC, Peacock, USA Network, CNBC, NBCOlympics.com, and the NBC Sports app. The Opening Ceremony was presented on Friday, Feb. 4, live in the morning and again in primetime on NBC and Peacock. Similar to recent Winter Games, NBC’s primetime Olympic coverage began the night before the Opening Ceremony on Thursday, Feb. 3. Coverage began on Wednesday, Feb. 2, on USA Network and Peacock. NBCUniversal is presenting its 18th Olympic Games, 12th consecutive overall, and sixth straight Winter Games, all the most by any U.S. media company.

    NBC Sports will utilize TAG Video Systems’ MCM MultiChannel software-based monitoring and multi-viewing solution for complete end-to-end monitoring of their video network, delivering ultra-low latency of uncompressed ST 2110 and JPEG-XS signals in Beijing for live production, monitoring, and probing of the transport between the host nation and the United States, and monitoring of the broadcasts over the Peacock OTT platform and CDNs. In addition, TAG enables NBC Sports to visualize the signals in real-time across the entire network, including UHD signals ensuring the consumer’s high-quality experience.

    “Once again, TAG was the obvious choice to help us guarantee the highest quality production is reaching our viewers,” said Connolly. “TAG’s active monitoring systems ensure us real-time data throughout multiple points within our network to deliver every minute of Olympic action to viewers across the U.S.”

    “It is indeed an honor to partner again with NBC Sports within such a short span of time,” stated Joyce. “We are committed and confident that we will not let them down in delivering the highest-quality production.”