Vizrt presented new tools and enhancements that make high-quality corporate production, virtual meetings, and hybrid presentations more accessible, especially for organizations with limited technical staff or budgets. Their product updates, workflow simplifications, and cloud-enabled features are squarely aimed at houses of worship, higher education, corporate communications teams, and any group that runs frequent, viewer-facing virtual or in-person events. Vizrt at IBC 2025 used their hardware history and software skills to increase broadcast and meeting experiences.
Rev Up the Engine

A central announcement was Viz Engine 5.4, which introduces several capabilities that reduce duplication of work and streamline output across multiple platforms. Corporate communicators often need to deliver content to internal town halls, external investor presentations, social media, and webinars, all with consistent branding. Viz Engine 5.4 allows “adaptive design,” so a graphic created once will adjust its aspect ratio automatically for mobile, web, broadcast, or large video walls, saving time and avoiding the need to rebuild assets for each output.
HDR is now natively supported in Viz Artist, meaning that high-spec displays (LED walls, large corporate auditoria) can show richer visuals. The engine also includes Unreal Engine 5.4 / 5.5 support for virtual sets, which enables more immersive backdrops with realistic lighting and reflections useful in delivering polished environments for leader addresses, product launches, or virtual meetings.
Automating Vizrt at IBC 2025
Vizrt also emphasizes production automation and simplified workflows. Their “Automated Live Events” capability combines switching, graphics, and control of screens in a unified interface. A corporate comms manager at IBC told Vizrt that this helps “produce high-impact shows” with fewer resources. For virtual meetings or hybrid events, this means fewer live switching errors, more consistency, and less dependency on large production crews.
Tools like TriCaster continue to play a role, especially in corporate settings. TriCaster-branded solutions are being positioned not just for broadcast studios but for enterprises that host webinars, executive announcements, and remote contributor setups. Integration with remote conferencing tools like Zoom and Teams is a feature Vizrt promoted at their stand. This enables hybrid meeting presenters to marry slides, video feeds, virtual sets, and real-time graphics in a more seamless way.
Higher ED Production
For higher education, where lecture capture, hybrid learning, and broadcasting of guest lectures are now standard, Vizrt’s cloud and remote workflows offer big benefits. Their platforms allow lecture rooms or halls to leverage virtual sets or AR overlays, create branded content, and publish to multiple platforms (university websites, streaming services, and social media), all from a central workflow. This reduces technical complexity and staffing load.
Houses of worship, likewise, can benefit from these tools. Many congregations need engaging visuals, often volunteer-run studios, and frequently stream services or produce content for multiple platforms. Adaptive graphics, AR/virtual set integration, automation of switching and graphics, and remote control over media assets mean these organizations can produce more polished services without large crews. Vizrt’s messaging at IBC was clear: you can deliver branded, immersive, visually rich content even with minimal resources.
Consistent Experiences
Perhaps most importantly for corporate end users, Vizrt is addressing scalability and consistency. Features like HTML5 graphics pulled directly into real-time overlays, unified switching, and remote contributor workflows are all about reducing manual overhead and technical risk.
Vizrt at IBC 2025 reinforced the idea that high-production value is no longer reserved for broadcast giants. Corporate institutions, educational bodies, and worship organizations can all now afford to raise their visual game, conduct virtual meetings that feel more engaging, and deliver live or prerecorded video that holds up visually across platforms, with fewer people in the control room.
To see all of AVNation’s IBC 2025 coverage, go here.
Tim Albright is the founder of AVNation and is the driving force behind the AVNation network. He carries the InfoComm CTS, a B.S. from Greenville College and is pursuing an M.S. in Mass Communications from Southern Illinois University at Edwardsville. When not steering the AVNation ship, Tim has spent his career designing systems for churches both large and small, Fortune 500 companies, and education facilities.










