Tag: Projection Systems

  • Panasonic Projector & Display Acquires HIVE, Strengthening Integrated Visual Solutions for Immersive Environments

    Panasonic Projector & Display Acquires HIVE, Strengthening Integrated Visual Solutions for Immersive Environments

    Panasonic Projector & Display Corporation has acquired UK-based media technology company HIVE Media Control Ltd. to strengthen its position in immersive visual solutions and integrated media workflows. The move expands Panasonic’s capabilities beyond projection and display hardware into media playback, synchronization and control solutions for museums, themed attractions, immersive experiences and large-scale AV installations. HIVE will continue operating independently with its vendor-neutral approach, supporting customers across multiple projector and LED display brands.

    The acquisition supports Panasonic’s broader MEVIX strategy of delivering end-to-end visual ecosystems for the AV industry. By combining HIVE’s BeeBlade SDM-based media server technology with Panasonic’s display and projection portfolio, customers can benefit from simplified installations, reduced hardware requirements and more flexible deployment options. HIVE’s solutions are already used in major immersive projects worldwide, including the BBC Earth Experience and the National Museum of Qatar.

    Panasonic Projector & Display Corporation (“Panasonic”) today announced that it has acquired 100% of the issued shares of UK-based media technology company Hive Media Control Ltd. (“HIVE”), strengthening its capabilities in media playback and control for immersive and fixed-installation environments.

    The acquisition marks a further step in Panasonic’s evolution from a hardware-led manufacturer into a broader visual solutions ecosystem provider, expanding its proposition beyond projection and display into software, workflow and integrated media-delivery solutions.

    At the same time, HIVE will continue to operate as a standalone business with a vendor-neutral market approach. Panasonic will support HIVE’s continued growth while preserving the independence, agility and openness that have shaped its position in the market. This includes continuity for HIVE’s existing customers and partners, including those using HIVE alongside projector and LED display brands beyond Panasonic.

    Media servers play a central role in immersive environments and large-scale visual installations, helping manage playback, synchronization and control of content across multiple displays and surfaces. With HIVE, Panasonic broadens its ability to support customers not only at the display endpoint, but across a wider part of the workflow from content playback and control through to deployment and operation.

    HIVE’s flagship BeeBlade platform is based on the Intel® Smart Display Module (SDM) standard, enabling direct integration with projectors, direct-view LED display systems and professional displays.

    “This is a strategically important step for Panasonic as we continue to evolve our business beyond a hardware-oriented model toward broader visual solutions and workflow value,” said Yousuke Adachi, CEO of Panasonic Projector & Display Corporation. “Under MEVIX, our visual solutions brand, we have been clearly articulating our commitment to contribute to customers across the total workflow, not just at the hardware endpoint. This acquisition is a major step in that direction and an important step forward in growth guided by the spirit of the MEVIX brand. HIVE brings proven expertise in media playback and control, and when combined with our projector and display portfolio, we believe it can create meaningful customer value through simpler deployment, greater flexibility and a better end-user experience. At the same time, we fully respect HIVE’s position as a standalone business open to working with the wider market, and we look forward to the synergies from HIVE’s continued growth also creating value for Panasonic.”

    “We are inspired and honoured by the opportunity to work with Panasonic, while continuing to grow HIVE as an open and independent ecosystem,” said Mark Calvert, Co-Founder and CEO of Hive Media Control Ltd. “In nature, the most powerful systems are interconnected, adaptive and free to evolve – a philosophy that sits at the heart of HIVE. This partnership gives us the scale to accelerate our vision while preserving the openness and platform-agnostic approach our customers rely on. I would also like to thank my co-founders, Dave Green and Trey Harrison, and our incredible HIVE team – whose belief and dedication mean we move into this next chapter together.”

    Panasonic views the media server market as a growth area, supported by increasing demand for immersive attractions, museums, themed environments and other permanent visual installations. Within this space, HIVE has built a strong position by offering a more compact, scalable and future-ready approach, underpinned by its SDM-native architecture and open ecosystem design.

    For customers, the combination of HIVE’s media control architecture and Panasonic’s projection and display technologies is expected to create value through greater deployment flexibility, a smaller infrastructure footprint, fewer external devices, simplified cabling and more streamlined installation and operation. It also supports a better overall end-user experience where HIVE and Panasonic solutions are used together.

    HIVE’s media servers are already deployed across major global projects including the BBC Earth Experience, the National Museum of Qatar and Michelangelo’s Sistine Chapel exhibition, demonstrating its capability across immersive attractions, cultural institutions and large-scale visual environments. HIVE’s innovation has been recognised through multiple high-profile international industry awards for its BeeBlade platform and broader media control ecosystem.

  • Display Highlights at InfoComm 2025

    Display Highlights at InfoComm 2025

    I’ve spent a couple of decades evaluating and using every category of audiovisual (AV) equipment, and I appreciate trade shows that bring together the latest products and related technologies from top manufacturers in one location. The city of Orlando, Florida, hosted InfoComm this year, and its show floor was a personal paradise of commercial-grade projection, digital signage, and collaboration tools. While InfoComm has a distinct focus on products for the AV industry’s professional and commercial applications, there was also some crossover of gear that would be prized additions to a premium home theater experience.

    InfoComm 2025 opening ceremony - Image credit: AVIXA
    InfoComm 2025 opening ceremony – Image credit: AVIXA

    Projection
    I thank George Lucas and the Star Wars franchise for accelerating the adoption of digital cinema projection during the 1999-2005 timeframe, bookended by the releases of Star Wars: Episode I and Star Wars: Episode III. The release of each movie brought with it hardware and workflow improvements, resulting in increasingly detailed imagery with fewer distracting artifacts. Nowadays, digital projection is at the forefront of delivering richly saturated colors, epic luminance, and eye-grabbing contrast, not only on the silver screen but also transforming iconic and everyday structures into works of art at scales limited only by the imagination and budget.

    Projection mapping projector array - Image credit: Barco
    Projection mapping projector array – Image credit: Barco

    At InfoComm 2025, several companies, including Panasonic, Barco, and Digital Projection, introduced new commercial-grade projectors that featured robust laser-based illumination, delivering tens of thousands of lumens while providing simplified maintenance, compact designs, and enhanced 4K resolution, thanks to new DLP parts from Texas Instruments.

    Digital Micromirror Device (DMD) - Image credit: Texas Instruments
    Digital Micromirror Device (DMD) – Image credit: Texas Instruments

    Panasonic
    The Panasonic booth at InfoComm 2025 showcased the company’s latest large-venue projector, designated as the PT-RQ45K. This 3-chip DLP projector claims to deliver up to 40,000 lumens of light output at an effective resolution of 3,840 x 2,400 pixels (16:10 aspect ratio), utilizing a “Quad Pixel Drive” system, where each micromirror on the DLP chip drives four pixels. Its laser-phosphor light engine features two blue and one red laser module for expanded color gamut coverage and up to 20,000 hours of usage until half-brightness, longer if run in eco or quiet modes. This networkable projector offers flexible installation options, including 360-degree mounting capabilities and ruggedized (conformally coated) circuit boards that help resist corrosion from fumes and salt, making it suitable for outdoor use or in otherwise challenging projector environments. The PT-RQ45K is also compatible with a wide range of Panasonic zoom, fixed-focus, and fisheye lenses, as well as software for multi-projector monitoring and control.

    Panasonic PT-RQ45K 3-chip DLP projector - Image credit: Panasonic
    Panasonic PT-RQ45K 3-chip DLP projector – Image credit: Panasonic

    Barco
    Barco has long been at the forefront of digital projector development, and the company’s InfoComm announcements included a 4K upgrade for its QDX line of bright and reliable laser-phosphor projectors, dubbed the QDX-4K45. The new QDX is a 3-chip DLP (0.96″ DMD x3) design also sporting a pixel engine that produces 3,840 x 2,400 resolution –  likely based upon a DLP part with a native 1,920 x 1,200 resolution using a 4x pixel drive system similar to the aforementioned Panasonic projector. The QDX-4K45’s 41,000-lumen light engine also features blue and red laser arrays coupled with an inorganic phosphor wheel, which claims up to 20,000 hours of operation at 100% power (until half-brightness).

    Barco QDX-4K45 large venue projector - Image credit: Barco
    Barco QDX-4K45 large venue projector – Image credit: Barco

    Also on display at the Barco booth was a unique accessory available for the company’s QDX series of projectors. Roughly the size of a large PC case, Barco’s external liquid-to-liquid cooler can be placed up to 24 meters away from an operating projector, capturing and exhausting 60-65% of the generated heat. The external cooler enables more QDX-series projectors to operate closer together, or it can allow for a modest reduction in noise levels.

    External Liquid to Liquid Cooler - Image credit: Barco
    External Liquid to Liquid Cooler – Image credit: Barco

    Driving a Video Wall
    Matrox graphics cards were among the earliest options for adding 3D-accelerated graphics to PC hardware, and the company’s unwavering support for 2D multi-display systems remains highly prized for its seamless implementation. Introduced at InfoComm 2025 was the company’s upcoming LUMA Pro A380 Octal graphics card, designed for multi-display video walls and digital signage applications.
    LUMA Pro A380 Octal - Image credit: Matrox

    LUMA Pro A380 Octal – Image credit: MatroxThe A380 Octal features a single-slot board design that incorporates two Intel Arc A380E GPUs. The Octal portion of the card’s name refers to its eight mini DisplayPort 2.0 connectors, each certified for UHBR10 performance, which effectively delivers up to 40 Gbps of video bandwidth. This configuration enables a single LUMA Pro A380 Octal card to drive up to eight synchronized 4K or 5K displays or up to four 8K displays.

    Dual LUMA Pro A380 card configuration - Image credit: Matrox
    Dual LUMA Pro A380 card configuration – Image credit: Matrox

    Designed for use with Matrox’s Windows-based PowerDesk multi-display management software and Mura Developer Tools, up to two Pro A380 cards can be frame-locked to each other, enabling up to 16 displays to seamlessly display a variety of content, including copy-protected materials, via its support for HDCP 2.3.

    Direct-view LED
    If you’re anything like me, bright, colorful, and well-contrasted imagery stops you in your tracks. Of all the digital signage technologies in use today, none captivate me more than direct-view LED (DVLED). DVLED displays deliver dazzling brightness, color purity, and robust longevity. DVLED signage companies, including Daktronics, Fabulux, and AWALL, showcased new commercial products for indoor and outdoor use on the InfoComm 2025 show floor. I was also pleased to see a few DVLED options aimed at premium residential applications, which, while still relatively expensive, are a fraction of the price of similar offerings from a couple of years ago.

    AWALL MicroLED Display - Image credit: HDTVTest
    AWALL MicroLED Display – Image credit: HDTVTest

    AWALL
    The micro LED specialists at AWALL earned a Best of Show award for their 162″ DVLED display that offers native 4K resolution (3,840 x 2,160) pixels with a 16:9 aspect ratio and a pixel pitch of 0.9mm. The display’s die-cast aluminum cabinetry comprises a 6×6 array, with each cabinet composed of eight square-shaped, magnetically attached panels (each panel containing 28,800 LEDs).

    AWALL CoB panel - Image credit: HDTVTest
    AWALL CoB panel – Image credit: HDTVTest

    The assembled display offers a 3,840 Hz refresh rate, 1,200 nits of light output, and greater than 90% coverage of the BT.2020 color gamut featured in HDR content. Considering premium OLED TVs like the new LG G5 television, which achieve approximately 78% coverage of the BT.2020 gamut, the AWALL display showcases the color purity made possible with direct-view LED technology.

    AWALL 162” CoB MicroLED Display - Image credit: HDTVTest
    AWALL 162” CoB MicroLED Display – Image credit: HDTVTest

    Available for an introductory price of $56,900, AWALL’s 162″ 4K display is one-quarter the cost of Samsung’s 146″ 4K The Wall All-in-One. However, potential owners of the 162″ AWALL display will have to add an external video processor, like those offered by NovaStar, to provide video input and screen configuration options. The “all-in-one” product naming in Samsung’s DVLED offering integrates the input and video processing hardware. AWALL has plans to offer even more affordable 75″ and 81″ pre-assembled models, albeit with sub-4K pixel resolution, that feature integrated video processors.

    Robust Pixels
    The display technologies featured at InfoComm 2025 highlighted flexible scaling for commercial applications. Hardware manufacturers were also eager to highlight an evolution of improvements aimed at lowering the cost of ownership by simplifying maintenance, easing transportation and setup, and making them generally more affordable. The compelling pixel technologies on display at InfoComm are helping businesses and more artistic endeavors, large and small, find new ways to capture our attention with increasingly detailed imagery.