Tag: pixel pitch

  • TV Resolution Chart: 720p vs 1080p vs 4K vs 8K (Every Common Display Resolution Compared)

    TV Resolution Chart: 720p vs 1080p vs 4K vs 8K (Every Common Display Resolution Compared)

    What Screen Resolution Means to You

    It’s easy to spend countless hours staring at a screen – phones, tablets, and TVs are seemingly always within sight or otherwise within our grasp.

    The technologies involved in making the glowing displays we gaze upon are as varied as the content they display. However, there are some technical commonalities all screens share.

    Subpixel image
    Image by Robert Heron

    Turn on a TV and look at it closely with a magnifying glass. You’ll see that the picture displayed on the screen comprises a fine grid of unique square-shaped picture elements called pixels. Each pixel contains discrete elements that glow red, green, and blue, called the sub-pixels. These sub-pixels are modulated to produce any particular visible color through the science of additive color mixing.

    It’s worth noting that some mobile phone displays do not use square-shaped pixels but instead arrange the subpixels in a diamond or striped layout to increase display brightness and longevity. That said, almost all TV screens and consumer video content are based on a square pixel format.

    What does HD even mean?

    The terms 720p, Full HD, 4K, and 8K all describe pixel-based resolutions with a widescreen aspect ratio of 16:9 (width to height). These descriptions of resolutions could refer to a video signal, the original video source material, or a particular display device. All televisions sold today feature a widescreen 16:9 aspect ratio screen. Most display devices (TVs, monitors, projectors) are compatible with various video resolutions and employ advanced scaling techniques to automatically make non-native video resolutions “fit” the display’s pixel resolution. Video content that isn’t precisely 16:9 in shape (many cinematic releases are closer to 22:9) is, ideally, padded with black bars along the top/bottom or sides of the picture to preserve the content’s original aspect ratio and not appear unnaturally stretched or squashed during playback on a 16:9 display.

    One confusing aspect of how these popular resolutions are named is that some reference vertical resolution and others reference horizontal resolution. 720p and 1080p (i.e., HD and Full HD, respectively) resolutions reference vertical resolution. 4K and 8K (both described as “Ultra HD”!) reference an approximate horizontal resolution. If 4K and 8K resolutions were expressed as a reference to vertical resolution, they would be written as 2160p and 4320p, respectively.

    Resolution graph
    By Libron – Own work, CC0, https://commons.wikimedia.org/w/index.php?curid=25976260

    By Libron – Own work, CC0, https://commons.wikimedia.org/w/index.php?curid=25976260

    Screen Resolution and Megapixel

    Many people are familiar with digital cameras’ megapixel (millions of pixels) ratings. It may be easier to make display resolution comparisons that way. 720p is about a million pixels, 1080p is about 2 million pixels, 4K is about 8 million pixels, and 8K is about 34 million pixels!

    For the curious, the “p” in video or display resolutions like 720p or 1080p refers to a progressive scan display system indicating that the video pixels are updated sequentially line-by-line, top-to-bottom. 1080i is a popular broadcast TV format in use today, and the “i” shows an interlaced video signal where the odd and even lines of the picture are each updated on sequential passes (usually the odd lines and then even) to save signal bandwidth. Interlaced video content is converted into a progressive format on modern displays and set-top boxes before reaching the pixels.

    Creating 1-1 Images

    Your video source material will match the resolution of the display precisely 1:1 – minimizing the need for additional processing and the potential of introducing undesirable visual artifacts. In the case of a 720p resolution television displaying a 1080p video, approximately half of the two million pixels per frame of the 1080p video are being discarded to scale the video to the nearly one million pixels of the 720p TV. A modern 4K television fed a 1080p video signal would be upconverting that signal to a higher resolution for display – creating three virtual pixels for every original pixel of the 1080p source material. It is a technical challenge for any display device to scale lower-resolution video content to a higher display resolution with pleasing and artifact-free results. Unsurprisingly, respectable reviewers judge a TV’s upconversion prowess with various standard lower-resolution video formats.

    The quality of the viewing experience with any display device depends on several factors, including (but not limited to) an individual’s visual acuity, screen size, viewing distance, and the resolution of the source material and display.

    What can you see?

    Our ability to discern fine video detail depends significantly on the viewing distance and the display’s pixel density. When comparing similarly sized displays with different screen resolutions, the pixel density is often expressed in pixels-per-inch (PPI) or pixel pitch (distance between the centers of adjacent pixels). For a 55-inch TV, 720p screen resolution is about 27 PPI. A 55-inch 1080p screen has a PPI rating of about 40, and a 4K 55-inch screen measures about 80 PPI. The good folks at THX consider a viewing distance of approximately 5.5 feet ideal for a 55-inch screen size – they factor in the display’s pixel density, our ability to perceive visual detail, and how well a particular screen size fills our field of view to create an immersive viewing experience.

    resolution chart
    Source: http://s3.carltonbale.com/resolution_chart.html

    Source: http://s3.carltonbale.com/resolution_chart.html

     

    The famous (at least, among videophiles) chart above guides how screen size, viewing distance, and the resolution of the content and display all interact with our perception of detail. It’s easier to perceive fine detail (video or pixel structure) the closer you sit to the screen. It’s the main reason premium mobile phone displays like that found in the Pixel 8 Pro feature a screen with a PPI rating of nearly 490 – more than 6x the pixel density of a 55-inch 4K television! The increased pixel density of a mobile device allows it to be viewed at much closer distances without noticing the pixel structure of the screen.

    How good is Screen Resolution

    Resolution (16:9) Number of pixels PPI w/55-inch screen
    HD (720p) 1280×720 921,600 26.7
    Full HD (1080p) 1920×1080 2,073,600 40.05
    4K (2160p) 3840×2160 8,294,400 80.11
    8K (4320p) 7680×4320 33,955,200 160.21

     

    A display will only look as good as the quality of its pixels (and sub-pixels.) Picture contrast describes a ratio of pixel brightness versus how dark it can be (pure black being the ideal.) Picture contrast is one of the first things we notice about any video presentation. A bright display is better suited for viewing enjoyment in well-lit rooms than a dim one. At the same time, a screen that can produce inky-dark black benefits our perception of color and contrast in darkened viewing environments. A pixel’s ability to accurately create richly saturated color has become more critical with the introduction of advanced video formats like HDR10 and Dolby Vision. These video formats can describe content with significantly brighter detail and more lifelike colors compared to regular broadcast TV standards, DVDs, or Full HD Blu-ray discs.

    Impressive pixels are the cornerstone of a great video display, and it’s good to remember to appreciate how we perceive this detail. Always wear eye protection when appropriate and consider an annual eye exam to maintain superb pixel discrimination.

  • New Planar CarbonLight VX Series Optimized for On-Camera Virtual Production

    New Planar CarbonLight VX Series Optimized for On-Camera Virtual Production

    PORTLAND, Ore. –  Planar, a global leader in visualization technology, introduces the Planar® CarbonLight VX Series, a line of LED display solutions optimized to meet the needs of the exploding virtual production (VP) and extended reality (XR) markets. Featuring a lightweight, patented carbon fiber construction, the Planar CarbonLight VX Series supports indoor fine pitch LED video wall, ceiling and flooring installations to offer the deployment versatility today’s VP, XR and broadcast applications need with exceptional on-camera visual performance. This includes settings spanning film and movie sets, broadcast studios and entertainment venues, as well as education and corporate facilities.

    Introduced as part of the Planar Studios initiative, the Planar CarbonLight VX Series bolsters Planar’s selection of cutting-edge LED display products that deliver the performance and capabilities today’s VP and XR professionals need to create realistic on-screen content. Building on the success of the popular, award-winning Planar® CarbonLight LED Displays portfolio, the Planar CarbonLight VX Series offers VP and XR customers LED solutions that support a range of studio sizes and configurations for unparalleled flexibility in studio set-up and configuration.

    “We are committed to not just advancing the state of VP art for the world’s most visionary storytellers. We are also committed to making VP more accessible and more impactful to more customers in more markets,” said Executive Vice President Adam Schmidt. “LED video walls are a critical element in successful VP and XR applications, and the Planar CarbonLight VX Series separates Planar from the pack. From best-in-class visual performance to unmatched deployment versatility, the Planar CarbonLight VX Series addresses creative and technical professionals’ needs of today and tomorrow.”

    Developed with help from today’s leading VP industry experts, the new Planar CarbonLight VX Series introduces two LED display lines that are designed to beautifully integrate with VP and XR stages, including the Planar® CarbonLight CLI VX Series and Planar® CarbonLight CLF VX Series.

    The Planar CarbonLight CLI VX Series supports hanging, wall-mounted, free-standing and curved LED video wall installations, in addition to other unique shapes that are intended to help smaller stages appear larger. This includes 90-degree corners, which are made possible by the series’ beveled edges. Planar CarbonLight CLI VX Series also allows customers to remove and install cabinets anywhere within the video wall without disrupting the overall layout.

    Available in 1.9 and 2.6 millimeter pixel pitches, the Planar CarbonLight CLI VX Series features models with Brompton VP controllers.

    “Working with the Planar team to bring Brompton industry-leading virtual production processing features to the new and innovative Planar CarbonLight VX Series has been a really positive and collaborative experience’’ said Rob Fowler, director of business development at Brompton Technology. “Our shared dedication to provide trailblazing technologies that deliver unsurpassed performance allows us to present a complete, reliable and compelling solution that supports evolving customer demand in the dynamic VP and XR markets.”

    The Planar CarbonLight CLI VX Series also comes in models featuring VP controllers from Colorlight.

    “We are excited to be offering Colorlight processing with features designed for VP for Planar’s newest line of LED display solutions,” said Gary Tong, customer service manager at Colorlight. “Our integration results in impeccable image quality and enhanced viewing experiences that allow VP and XR professionals to take their projects to new heights.”

    Delivering state-of-the-art image quality, Planar CarbonLight CLI VX Series features HDR support, improved thermal management and uniformity, precise yet flexible color management and a wide color gamut for greater color compatibility, including up to DCI-P3 color space with the Planar CarbonLight CLI VX1.9 model. The family also includes a high LED refresh rate (3840Hz) to support smooth motion and offers frame rates ranging from 24 – 144 Hz to ensure compatibility with various camera settings. In addition to delivering superior in-person and in-frame image performance, the Planar CarbonLight CLI VX Series’ narrow pixel pitches support close viewing distances, allowing audiences to view content as close as nearly 14 feet away without seeing any individual pixels on the display.

    “Planar allowed me the opportunity to weigh in on the new Planar CarbonLight CLI VX Series when the product was first being developed,” said A.J. Wedding, director and co-founder of Orbital Virtual Studios. “Within just months of providing feedback, the company introduced a solution that’s perfect for presenting the versatility and incredibly lifelike content Orbital Virtual Studios needs to bring companies’ most imaginative visions to life.”

    The new LED video wall line also features a common cathode architecture to consume less power and heat, and with high-strength carbon fiber frames and Planar CarbonLight bracketry, it supports quick video wall assembly for fast-paced applications.

    The new Planar CarbonLight CLF VX Series LED flooring features a 2.6mm pixel pitch and can be used to create a high resolution, continuous canvas for on-camera scenes, virtually expanding physical environments.

    The Planar CarbonLight VX Series will begin shipping in July and be available through Planar’s global network of authorized resellers. For more information about the Planar CarbonLight VX Series, visit www.planar.com/CarbonLight-VX.